“In Dutch Protestant paintings of the 15th and 16th centuries, meat often referred to ‘the weak flesh.’ In my paintings, the beauty of the flesh is shown, and the ornate frames emphasize the non-Puritanical content. People call the frames ‘over the top’ or excessive. They’re often painted to match the meat. When viewing the paintings, some say they have a gag reflex while thinking at the same time they’re beautiful.”
